A time to revisit references and parallels of the project in cinema:
The Man with the Movie Camera by Dziga Vertov: In this excerpt the incredible animation of the camera operating by itself.
The famous scene of the mirror by the Marx Brothers: Deeply connected with the project in his conceptual idea.
A scene from Buster Keaton “The Cameraman”: This is not one the most popular Buster Keaton films, but for me it is one of the most powerful. Throughout the entire film the camera is always omnipresent, it is indeed an extended portrait of a camera.
Samuel Becket’s “Film”: The only film he ever made, also deals with an intrinsic reflection of a movie image as a double and violent entity. Starring Buster Keaton after 30 years of his own “Cameraman”